jmtd → log → 2020 in short fiction
Following on from 2020 in Fiction: In 2020 I read a couple of collections of short fiction from some of my favourite authors.
I started the year with Christopher Priest's Episodes. The stories within are collected from throughout his long career, and vary in style and tone. Priest wrote new little prologues and epilogues for each of the stories, explaining the context in which they were written. I really enjoyed this additional view into their construction.
By contrast, Adam Robert's Adam Robots presents the stories on their own terms. Each of the stories is written in a different mode: one as golden-age SF, another as a kind of Cyberpunk, for example, although they all blend or confound sub-genres to some degree. I'm not clever enough to have decoded all their secrets on a first read, and I would have appreciated some "Cliff's Notes” on any deeper meaning or intent.
Ted Chiang's Exhalation was up to the fantastic standard of his earlier collection and had some extremely thoughtful explorations of philosophical ideas. All the stories are strong but one stuck in my mind the longest: Omphalos)…
With my daughter I finished three of Terry Pratchett's short story collections aimed at children: Dragon at Crumbling Castle; The Witch's Vacuum Cleaner and The Time-Travelling Caveman. If you are a Pratchett fan and you've overlooked these because they're aimed at children, take another look. The quality varies, but there are some true gems in these. Several stories take place in common settings, either the town of Blackbury, in Gritshire (and the adjacent Even Moor), or the Welsh border-town of Llandanffwnfafegettupagogo. The sad thing was knowing that once I'd finished them (and the fourth, Father Christmas's Fake Beard) that was it: there will be no more.
8/31 of the "books" I read in 2020 were issues of Interzone. Counting them as "books" for my annual reading goal has encouraged me to read full issues, whereas before I would likely have only read a couple of stories from each issue. Reading full issues has rekindled the enjoyment I got out of it when I first discovered the magazine at the turn of the Century. I am starting to recognise stories by authors that have written stories in other issues, as well as common themes from the current era weaving their way into the work (Trump, Brexit, etc.) No doubt the Pandemic will leave its mark on 2021's stories.