jmtd → log → synths → Behringer Model-D (synths I didn't buy)

Whilst researching what synth to buy, I learned of the Behringer¹ Model-D²: a 2018 clone of the 1970 Moog Minimoog, in a desktop form factor.

Behringer Model-D

In common with the original Minimoog, it's a monophonic analogue synth, featuring three audible oscillators³ , Moog's famous 12-ladder filter and a basic envelope generator. The model-d has lost the keyboard from the original and added some patch points for the different stages, enabling some slight re-routing of the audio components.

1970 Moog Minimoog

Since I was focussing on more fundamental, back-to-basics instruments, this was very appealing to me. I'm very curious to find out what's so compelling about the famous Moog sound. The relative lack of features feels like an advantage: less to master. The additional patch points makes it a little more flexible and offer a potential gateway into the world of modular synthesis. The Model-D is also very affordable: about £ 200 GBP. I'll never own a real Moog.

For this to work, I would need to supplement it with some other equipment. I'd need a keyboard (or press the Micron into service as a controller); I would want some way of recording and overdubbing (same as with any synth). There are no post-mix effects on the Model-D, such as delay, reverb or chorus, so I may also want something to add those.

What stopped me was partly the realisation that there was little chance that a perennial beginner, such as I, could eek anything novel out of a synthesiser design that's 54 years old. Perhaps that shouldn't matter, but it gave me pause. Whilst the Model-D has patch points, I don't have anything to connect to them, and I'm firmly wanting to avoid the Modular Synthesis money pit. The lack of effects, and polyphony could make it hard to live-sculpt a tone.

I started characterizing the Model-D as the "heart" choice, but it seemed wise to instead go for a "head" choice.

Maybe another day!