jmtd → log → synths → Arturia Microfreak

Arturia Microfreak. © CC-BY-SA 4

I nearly did, but ultimately I didn't buy an Arturia Microfreak.

The Microfreak is a small form factor hybrid synth with a distinctive style. It's priced at the low end of the market and it is overflowing with features. It has a weird 2-octave keyboard which is a stylophone-style capacitive strip rather than weighted keys. It seems to have plenty of controls, but given the amount of features it has, much of that functionality is inevitably buried in menus. The important stuff is front and centre, though. The digital oscillators are routed through an analog filter. The Microfreak gained sampler functionality in a firmware update that surprised and delighted its owners.

I watched a load of videos about the Microfreak, but the above review from musician Stimming stuck in my mind because it made a comparison between the Microfreak and Teenage Engineering's OP-1.

The Teenage Engineering OP-1.

I'd been lusting after the OP-1 since it appeared in 2011: a pocket-sized¹ music making machine with eleven synthesis engines, a sampler, and less conventional features such as an FM radio, a large colour OLED display, and a four track recorder. That last feature in particular was really appealing to me: I loved the idea of having an all-in-one machine to try and compose music. Even then, I was not keen on involving conventional computers in music making.

Of course in many ways it is a very compromised machine. I never did buy a OP-1, and by now they've replaced it with a new model (the OP-1 field) that costs 50% more (but doesn't seem to do 50% more) I'm still not buying one.

Framing the Microfreak in terms of the OP-1 made the penny drop for me. The Microfreak doesn't have the four-track functionality, but almost no synth has: I'm going to have to look at something external to provide that. But it might capture a similar sense of fun; it's something I could use on the sofa, in the spare room, on the train, during lunchbreaks at work, etc.

On the other hand, I don't want to make the same mistake as with the Micron: too much functionality requiring some experience to understand what you want so you can go and find it in the menus. I also didn't get a chance to audition the unusual keyboard: there's only one music store carrying synths left in Newcastle and they didn't have one.

So I didn't buy the Microfreak. Maybe one day in the future once I'm further down the road. Instead, I started to concentrate my search on more fundamental, back-to-basics instruments…